Exploring reality through experimental narration, this installation takes the form of a multichannel environment combining realtime and pre recorded video and sound. Ómun operates as a field in which conscious and unconscious memories are translated into a continuous video flux, in constant interaction with the music that both generates and is shaped by it.
The sound material is drawn from six recorded performances developed between 17 and 22 February 2026, in relation to the February 17 2026 solar eclipse. These sessions establish a temporal framework for the work, situating it at the intersection of lived experience, ritual attention, and environmental resonance.
The installation unfolds within a large, darkened space structured for free circulation. Viewers are invited to move through the environment, inhabit it over time, and engage informally with members of the collective, allowing for direct exchange and shared presence within the work.
Through feedback loops, interactive camera fluxes, and layered image processes, the installation examines the construction of a realtime self, where perception, memory, and transformation remain in continuous negotiation.
Experimental animistic tarot readings and live performances are activated within the space, extending the installation into a performative and interpretative environment.
The installation also exposes the internal logic of an emerging musical instrument, conceived as a hybrid system combining digital and analog processes, and approached as a sensual and perceptual interface.